Don’t let her stay to long because I’ve got a—, Corie: (With him. You’re always dressed right, you always look right, you always say the right things. I mean, oh, no, it’s too late. Corie, Paul, and Mrs. Banks toast to their future happiness: Corie: (Making toast.) Everyone expresses their immediate reactions to the location and size of the apartment. Suicide Attempt Pt 2 (04:08) 22. Victor and Ethel suffer from headaches caused by last night’s revelries: Velasco: Corie, could I please have about three hundred aspirins? is 1 Short Summary. Paul is concerned with becoming a lawyer: Paul: Marshall has to be in Washington tomorrow and he wants me to take over…with Frank…but it’s really my case. Ethel Banks must learn to accept Victor’s eccentricities and appreciate his kindness; Victor must understand that modifying his behavior does not mean he has to lose his sense of humor: Velasco: Would you like to have dinner with me tonight? Corie, how am I going to take a bath? (Takes remaining Package and places it with others on landing under the windows.) Control as the source of the main character’s problem is illustrated in several ways: After Corie tricks Paul into believing outrageous stories about her mother, he states: In Act II, Corie angrily points out Paul’s controlling ways to him: Corie: What I’m really concerned about is you! Whose fault is that? I slept without a board…For the first time in years I slept without a board…You don’t suppose Uzu is a Greek miracle drug, do you? I like baths. Paul: Mr. Velasco pointed! Finally, the Barefoot In The Park script is here for all you quotes spouting fans of the Neil Simon movie with Robert Redford and Jane Fonda. Hamlet His sustained grief for his father’s death is seen to be unmanly and evidence of “impious stubbornness.” (1.2.98) This is contrasted by King Claudius’ … Me and my big stupid mouth. As an illustration of his resolve to change, he acts on Corie’s whimsy—regardless of its foolishness. Mother: (Takes aspirin and sip of water.). Mother: It’s not the truth I’m afraid to hear. He winces in pain.) Although Paul does not approve of Corie’s schemes, he does not interfere with her dinner party plans and plays the role of “good sport” (though rather reluctantly). It is a warm, hearty laugh shared by two friends. After Paul walks out, Corie realizes the havoc she has caused: Corie: I should have listened to him…It’s all my fault…I thought we’d have a nice sociable evening, that’s all…Paul was right. Mother: The buses. When faced with the prospect of divorce, Paul loses control by becoming intoxicated. Throughout this play, Paul is trying to constantly prove himself as a respectable lawyer, Only those couples bearing a letter from their psychiatrists proving they’re well adjusted will be permitted to be married. Corie serves as a temptation to Paul that he reluctantly surrenders to: Corie: (Goes to him and puts her arms around him. If Paul and Corie don’t patch up their differences, their marriage will dissolve, and with it the chance for marital bliss and many offspring: Telephone Man: Have a nice marriage…And may you soon have many extensions. You jump into life. The telephone man remembers (without enthusiasm) that not too long ago he had to climb up the six flights to the Bratter’s: “Harry Pepper, our old friend, the Telephone Man, appears at the door. Corie: Paul…! I wouldn’t be here for a social call. (Unhappily.) Either way it’s an important factor in any movie romance. Cliff Notes ™, Cliffnotes ™, and Cliff's Notes ™ are trademarks of Wiley Publishing, Inc. SparkNotes ™ and Spark Notes ™ are trademarks of Barnes & Noble, Inc. Corie Bratter, a newlywed, married only six days at the beginning of the play. Barefoot in the Park...possible for these to be the relationships that evolve into something precious. Corie: Well, there’s so much I wanted to tell you…and I haven’t seen you all day…and it takes you so long to get up. How will you get home? The three-decade-old romantic comedy "Barefoot in the Park" is one of the prolific Neil Simon's earliest successes. And the Watchers sit around watching the Do-ers do. Corie: My divorce. Ethel Banks must rely on the memory of Victor taking care of her in order to feel comfortable with him; Victor must remember that he had a good time with Ethel for him to want to pursue a relationship with her: Velasco: Yes…As a matter of fact, we both did….If you remember…(Remembering, he begins to laugh.). Corie is concerned with obtaining the utilities and furniture necessary to start her new life as a grown married woman: Corie: My very own phone…Gives you a sense of power, doesn’t it? She thinks a woman living alone, way out in New Jersey is the worst thing in the world…“It’s not,” I told her. Hello, again. Mrs. Banks’ immediate reaction to Corie and Paul’s apartment is one of shock: Mother: (Gets up, looks and stops cold.) Corie: Of course I’m serious. Copyright © FreeBookNotes.com 2014-2021. At the height of their argument, Paul and Corie attempt to look at the institution of marriage in a logical (if not satirical) way: Paul: And now I will say something I will soon regret…Okay, Corie, maybe you’re right. Even though Paul thinks she is serious, he delays honoring her requests. Corie is open to new experiences, and encourages Paul (who is not) to do the same: Corie: Well, here goes. An excellent comedy with an excellent cast and an excellent story. He is also a newlywed, married to a young woman whose ideas of fun and frolic are more than he bargained for. Ditto the characters didn’t work. That’s a laugh…Wait till she tries to take him out for a walk…He’ll get one look at those stairs and he’ll go right for her throat. Emma Stone and Ryan Gosling had it in Crazy, Stupid Love, as did Katharine Hepburn and Cary Grant in Bringing Up Baby, but it’s Jane Fonda and Robert Redford in Gene Saks 1967 film Barefoot in the Park who really stand out from the pack. “Barefoot in the Park” is a study of why and how fixed attitudes (especially in a marriage) create conflict. (She points up, then panics.) Corie: You can try it. Paul: “Frozen skinny lovers found on 48th Street.” (They kiss. Victor and Mrs. Banks create their own past when they spend time alone together, creating a warm memory required to precipitate their relationship. Depending on the study guide provider (SparkNotes, Shmoop, etc. After Victor and Ethel discuss the previous evening and share a “warm, hearty laugh,” his headache is cured: Velasco: Thank you, but I’m feeling better now. Synopsis. Barefoot in the Park, by Neil Simon, follows newlyweds Corie and Paul while the play Play it Again, Sam shows the couple of Dick and Linda who have been married for some time. Dramatica is a registered trademark of Screenplay Systems Incorporated. She thinks I’m over here every day now. Paul, who has in fact lost his shoes, walks away and laughs that now he's going barefoot in the park. They tend to be deeply connected to animals (and may even have the ability to talk to them) and plants in general. I have a bad arm. It’s no extra trouble. All you need are the shots. That’s just the trouble. Ethel can’t remember what happened to the clothes she was wearing the night before: Mother: That I can’t tell you…I just don’t know where they are…. Why not? Paul thinks that in order to be carefree like Corie, he must implement her crazy notions like walking barefoot in the park. Paul and Corie’s past is their honeymoon. I didn’t know it until you told me in the morning…. It's wonderfully written and acted, with an especially delightful turn by Charles Boyer as the eccentric upstairs neighbor. Corie is concerned with finding her mother after finding out she has been missing all night: Corie: Upstairs to find out what happened to my mother. You've reached the "hub" for any and all Dramatica analysis of Barefoot in the Park. Costume design by Isaac Mizrahi. When…? Corie demands an immediate divorce from Paul and asks him to find other living space. I don’t usually do this sort of thing but I find myself in a rather embarrassing position and I could use your help. You can even control your emotions. Also includes sites with a short overview, synopsis, book report, or summary of Neil Simon’s Barefoot In The Park. Oh, yes…(Takes piece of paper out of pocket.) ); Mrs. Banks loses control by fainting and falling down the front stairs. I want a divorce. Paul and Corie Bratter are newlyweds in every sense of the word. They recently have moved into their small apartment in New York City after their six-day honeymoon. A divorce? The other night. BAREFOOT IN THE PARK VOICE FROM BELOW. I’ll call you from court tomorrow and we can fight over the phone. Barefoot in the Park is a 1967 American romantic comedy film directed by Gene Saks from a screenplay by Neil Simon, adapted from his 1963 play of the same name. We’re hot. Corie: Good. But when I get hungry I eat. Paul becomes carefree without becoming irresponsible; Corie becomes mature without becoming too serious; Ethel Banks becomes happy without being dependent on her daughter; Victor becomes sensible without losing his charm: Velasco: You know something, Ethel….I don’t think I’m as young as I think I am. (Until he learns to compromise and actually walk barefoot in the park... while intoxicated.) Directed by Gene Saks. You’re a watcher. What? Maybe we have nothing in common. Do you have to carry on—a whole personal conversation with me—on the stairs? She paints and decorates the apartment; she bounds up the five-flight walk-up. Paul, a conservative lawyer, marries the vivacious Corie, but their highly passionate relationship descends into comical discord in a five-flight New York City walk-up … Full Length Play, Comedy / 2f, 4m Neil Simon. Towards the end Corie finds a very drunk Paul in Central Park. The problems between Paul and Corie are solved when Paul succumbs to the temptation to put Corie and his marriage first, despite any consequences. Gonzales took them off. Like Thursday night. Paul: I’m proper and dignified? Paul and Corie’s past is the “six wonderful days” at the Plaza hotel. Paul: I’m not grouchy…I’m tired…I had a rotten day today…I’m a little irritable…and cold…and grouchy. Paul: I’ll have to go over the briefs…we’ll spend tomorrow night together. Mother: Yes…(She joins in. Well, tonight you watched and I did. What about that big thing hanging outside the building? Corie wants to obtain Paul’s undivided attention. After asking her mother for advice, Corie understands a way to make Paul happy: Corie: And I love him…Only I don’t know what he wants. He intends to forego the pleasure of spending time with his wife (and mother-in-law) to avoid being unprepared in court. The furniture, which to Corie symbolizes the beginning of their new life together, is delayed; Corie and Paul’s fight is drawn out overnight, delaying the inevitable kiss and make-up; Paul disconnects the phone, causing the telephone repair man to make another trip to the apartment, further delaying the time alone Paul and Corie need to resolve their quarrel; Victor Velasco’s broken toe and subsequent trip to the doctor’s office delays his reunion with Mrs. Banks when he can then relieve her anxieties about what happened during her black-out the previous evening. I just had a complete examination. Corie: I told you why. Barefoot In The Park (Unreleased Lounge Version) (02:16) Tracks 1-19: Score from "Barefoot In The Park" 20. Corie: You don’t consider this a crisis? Maybe they should be checked for common sense, understanding, and emotional maturity. Velasco: Your clothes…? (She turns into room.) Couldn’t think…Moving furniture until three o’clock in the morning. All the objective characters are concerned with Paul and Corie’s happiness. ), Paul: We’re in love again. FreeBookNotes found 1 site with book summaries or analysis of Barefoot In The Park. It was seventeen degrees. Provider of short book summaries. Corie: I don’t know. I told him to get out. © Copyright 1994-2021 Write Brothers, Inc. All Rights Reserved. Neil Simon characterizes Corie as “Lovely, young, and full of hope for the future.” In describing the apartment, the author observes: “Someone with taste, imagination and personality can make this that perfect love nest we all dream about.” Corie exemplifies hope vs. dream: she dreams thinking she is hoping, and not until the last act does she realize the difference. You want me to be rich and famous don’t you? Paul: I’ve been very busy. Because of Corie’s commitment to the marriage, Paul may not believe her when she asks for a divorce, and therefore not change his controlling behavior. "The Woolgatherer" is a 1979 drama by William Mastrosimone, best known for his exquisite dialogue for characters in coarse situations, in such plays as "Extremities" and "Shivaree." You want me to be rich and famous, don’t you? With Robert Redford, Jane Fonda, Charles Boyer, Mildred Natwick. Corie is startled as Victor enters the Bratter’s apartment without an invitation: Velasco: I beg your pardon. Barefoot in the Park. Corie: Okay, grouch. I don’t know how to make him happy…Oh, Mom, what am I going to do? He decides to lose control by getting “Lousy, stinkin’ drunk!” and taking on Corie’s madcap ideas: Paul: Hey, Corie….Let’s do that thing you said before….Let’s wake up the police and see if all the rooms come out of the crazy neighbors…I want to be a nut like everyone else in this building. There are only so many ways to forestall divorce and restore marital bliss. Deadpan Snarker: Paul and Mr Velasco. Mother: And I had horrible nightmares. CORIE. Barefoot in the Park is one of the most beloved comedies of Neil Simon. You should try everything, right, Mr. Velasco? Corie: (Stopping him.) Voila! She is an independently minded free spirit who prides herself on doing the illogical purely out of a sense of adventure, such acts as walking through Washington Square Park barefoot when it's 17°F outside. Corie is concerned with finding Paul once she realizes that she loves him and does not want a divorce after all: (Corie thinks a moment, wipes her eyes, and then rushes to the closet for her coat. When you’re through, turn off the lights. I did it. Paul: I will. Corie: Always. Here. Just one more day. To prove his resolve to change—he acts on Corie’s whimsy—regardless of its foolishness: Paul: What do you think I’ve been doing? Can I make a call yet? You will stay here and fight to save our marriage. Mother: Yours!...But do you want to know something that may shock you…? The Characters (2-3 sentences per character) 1. But you can’t tell her that. BAREFOOT.IN Web Server used 66.33.196.15 IP Address You can check the websites hosted on same 66.33.196.15 IP Server. Because you and I have absolutely nothing in common. They recently have moved into their small apartment in New York City after their six-day honeymoon. Mrs. Banks’ decision to drop in unexpectedly on the newlyweds increases the tension between Paul and Corie: Mother: Well, I really had no intention of coming up, but I had a luncheon in Westchester and I thought, since it’s on my way home, I might as well drop in for a few minutes…. This exotic appetizer, and the eating ritual that accompanies it, exemplifies a new way of experiencing life for Mrs. Banks. Corie: Good. All Right Reserved. Victor conceptualizes his future with a handicapped foot: Velasco: (Sitting on sofa and putting foot up on coffee table.) When faced with the prospect of divorce, Paul loses control by getting intoxicated. Our whole marriage hangs in the balance. Soundlessly, he crumples in a heap…The following day…He looks haggard and drawn, not just from the stairs, but from lack of sleep and peace of mind. Paul: (Taken aback.) Paul believes it is more important to concentrate on preparing for a law case than paying attention to his new bride. Corie: Exactly. With signing papers and going to court, shaking hands, goodby, finished, forever, divorced? Velasco: Perfect. He makes a trip to the doctor’s where he undergoes a complete medical examination that indicates he must modify his outrageous lifestyle; When faced with the prospect of divorce, Paul loses control by getting intoxicated. Why don’t you travel? Mother: That’s the first time you’ve asked my advice since you were ten. Brief Synopsis Barefoot in the Park is based upon two newlyweds, Paul and Corie Bratter. Mother: Travel!...You think it’s so easy for a woman of my age to travel alone? Mother: Mr. Velasco….Where are my clothes? Don’t make everything a game. Because you and I have nothing in common. All the objective characters have the fundamental desire to love and be loved. Brief Synopsis Barefoot in the Park is based upon two newlyweds, Paul and Corie Bratter. Velasco: You didn’t….You were drenched and out cold. I just want a divorce. MAN. We’re just yelling a little. It took me forty minutes to walk up the stairs…I’ll have to hire someone to pull me up the ladder. Oh, hi, Paul. MAN. (Laughs.) Because of me you’re running around without your clothes and Paul is out there on the streets with a cold looking for a place to sleep. After a six day honeymoon, they get a surprise visit from Corie's loopy mother and decide to play matchmaker during a dinner with their neighbor-in-the-attic Velasco, where everything that can go wrong does. Victor takes care of her, which leads to her change of heart; While Victor is carrying Mrs. Banks, his beret slips over his eyes and he falls down the stairs, breaking his big toe. (Takes a big gulp of her martini.). Corie does not appreciate Paul’s logical outlook when it interferes with her fun: Corie: And you’re not. Set design by Derek McLane. With the future of Paul and Corie’s marriage at stake, Paul resolves to change his controlling behavior in favor of marital bliss. Velasco: An ulcer! Call-Back: To the Title Drop and Paul's observation that Corie likes to go barefoot in the park. The objective characters’ emotional feelings direct the objective story: Paul reprimands Corie after the infamous dinner at Four Winds: Corie: What’s the matter darling…? She is young, pretty, and full of enthusiasm for the future. At Delfino’s…You were drunk, right? Through the hole in the skylight it falls and down onto Paul’s exposed head. And if you can do that, you’ll have a happy and wonderful marriage. Velasco: To have gone through all you did last night. Let’s take a cab back to the Plaza. Corie is interested in obtaining Paul’s love and attention. This film is dated, but it's hilarious. It stars Robert Redford and Jane Fonda as a young newlywed couple. Mother: Oh, they’re at the cleaners…When did I take them off? Sites with a short overview, synopsis, book report, or summary of Barefoot In The Park by Neil Simon. All the objective characters are concerned with love and romantic relationships. Corie is optimistic about their future together, while Paul, the more anxious and grounded half of the couple, worries about the various flaws in the apartment, such as a hole in the skylight, their leaky closet, and the lack of a bathtub. He was right about so many things. Frank?...Yeah!...Yes, I’ll go over everything tonight. “It’s not the worst thing…”, Corie’s concept of her home is a far cry from the reality: “The furniture didn’t get here quite yet and the paint didn’t come out exactly right, but I think it’s going to be beautiful.”. And you didn’t say a word about it. Corie puts down the phone, and rushes to the door.). ), the resources below will generally offer Barefoot In The Park chapter summaries, quotes, and analysis of themes, characters, and symbols. It's me! In order to have a happy marriage, Paul realizes he must stop his controlling behavior. Paul and Corie come into conflict over the progress of turning their apartment into a home: Corie: Oh, you’re grouchy. A middle-aged woman traveling alone fell off the deck of a ship. The following analysis reveals a comprehensive look at the Storyform for Barefoot in the Park. Although Corie wants Paul to lighten up, she also wants him to remain responsible: Corie: I want the old Paul back…He’s dependable and he’s strong and he takes care of me and tells me how much I can spend…. If I can fall asleep in about half-an-hour, I can get about five hours’ sleep. Mrs. Banks dreams of being a grandmother instead of exploring her new-found independence: Mother: (Considers.) It’s very simple. Victor Velasco’s wacky logic is illustrated in Act II when they all prepare to go out to dinner: Mother: (Putting on coat.) How about that? Also he has a cold, and as he leans there, he wearily blows his nose.”, Ethel Banks passes out and has nightmares after drinking “scotch, martinis, coffee, black bean soup, and Uzus…”. I’ve got a marvelous imagination. Corie: You will not go to sleep. It's warm and light-hearted and all just-coming-out-of-the-50's-white-middle-class, but it does work as a feelgood film. Corie: Because you’re afraid to hear the truth. Don’t you feel well? Paul: How should I know? I can’t eat rich foods any more…(Very confidentially.) They stop running at two. I want a divorce. How long d 'ja say you were married? "Barefoot in the Park" is a romantic comedy written by Neil Simon. You’ve just got to give up a little of you for him. “Barefoot in the Park” is a study of why and how fixed attitudes (especially in a marriage) create conflict. Browse books: Recent| popular| #| a| b| c| d| e| f| g| h| i| j| k| l| m| n| o| p| q| r| s| t| u| v| w| x| y| z|. Analysis “She is lovely, young and full of hope for the future. Ethel Banks conceptualizes her life in the future as alone, and contrary to her words, she can imagine her loneliness: Mother: Aunt Harriet was with me when I picked it out. (She turns into room.) Audience Reviews for Barefoot in the Park. His fuddy-duddy "stuffed-shirt" nature runs counter to Corie's vivacious and randy ways and drives a huge wedge into their six-day old marriage. I still love you. Velasco intends to escort Mrs. Banks home without considering the return trip: Mother: Oh, no! Where were you going to look…? Just as soon as “Birnbaum versus Gump” is over…”. Barefoot in the Park (1967) cast and crew credits, including actors, actresses, directors, writers and more. Paul prefers to adapt himself to his environment: Mother: I worry about you two. Among the summaries and analysis available for Barefoot In The Park, there Paul’s hope that Corie will change her mind motivates him to explore ways to save the marriage. You’ve got the time, the luggage. Mother: I said, “Why, Harriet? It is a warm, hearty laugh shared by two friends.). It's warm and light-hearted and all just-coming-out-of-the-50's-white-middle-class, but it does work as a feelgood film. If there is a Barefoot In The Park SparkNotes, Shmoop guide, or Cliff Notes, you can find a link to each study guide below. I moved!...He came in here, drank my liquor, made three telephone calls, and ordered me around like I was one of the Santini Brothers. It’s a stoop. We’re having a fight. Corie: ...You won’t let your hair down for a minute. Shortly after moving in, Corie attempts to set her mother up with their eccentric neighbor Mr. Velasco. Paul: Very simple answer. With all the trouble today, you see a couple of newlyweds, you figure there’s still hope for the world.”. (Takes remaining Package and places it with others on landing under the windows.) It may be small and a six-flight climb, the heating may be busted and snow may be falling through the skylight, but nothing can quash their newlywed bliss. Except it isn’t any fun. During the course of four days, the couple lear… You wouldn’t walk barefoot with me in Washington Square Park. You complained. Paul: Oh…? The Odd Couple Main Title (01:38) 21. I’ll look during my looking hour. Paul and Corie Bratter are newlyweds who are very much in love, but must work through their personal issues concerning Paul’s controlling behavior and Corie’s flighty nature. The conflict that must be resolved is caused by control and solved by decisions that are uncontrolled. Their highly passionate relationship descends into comical discord in a five-flight New York City walk-up apartment. To prove his resolve to change—he acts on Corie’s whimsy—regardless of its foolishness: Paul believes it is more important to concentrate on preparing for a law case than paying attention to his new bride. He looks first. He’s dependable and he’s strong and he takes care of me…. Paul: Do you have any idea how she felt just now? I want a divorce! Impulsive and fun-loving, she considers herself a doer, not a watcher. You’re so impulsive. The telephone’s out of order. This script is a transcript that was painstakingly transcribed using the screenplay and/or viewings of Barefoot In The Park. I’ve been walking barefoot in the goddamn park. Corie enters holding flowers. Paul is concerned with becoming a successful attorney. Sep 05, 2010. Metropole (02:20) 23. This was the final project in my Drama 59A class, beginners acting for non-majors. They didn’t even send us our marriage license yet. The play’s central conflict revolves around how to negotiate personality differences productively, exemplified in the relationships between and among the characters in the play. Theatre Review by Matthew Murray - February 16, 2006.
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